Psicanálise e Música: Musicalidade da Psicanálise

Authors

  • Carlos Amaral Dias Instituto Superior Miguel Torga

DOI:

https://doi.org/10.31211/interacoes.n43.2022.e1

Keywords:

Ensaio, Carlos Amaral Dias

References

Anzieu, D. (1979). The Sound Image of the Self. International Review of Psychoanalysis, 6, 23-36.

Butterfield, S. (1968, October). An extended version of modification of sucking with auditory feedback (Working Paper n.º 43). Bureau of Child Research Laboratory, Children’s Rehabilitation Unit, University of Kansas Medical Center.

Feder, S. (1981). Gustav Mahler: The music of fratricide. International Review of Psycho-Analysis, 8(3), 257–284.

Langer, S. K. (1953). Feeling and Form: A Theory of Art. Charles Scribner’s Sons.

Langer, S. K. (1967). Mind: An Essay on Human Feeling. The Johns Hopkins University Press.

Nass, M. L. (1971). Some considerations of a psychoanalytic interpretation of music. The Psychoanalytic Quarterly, 40(2), 303–316.

Niederland, W. G. (1958). Early auditory experiences, beating fantasies, and primal scene. The Psychoanalytic study of the child, 13, 471–504. https://doi.org/10.1080/00797308.1958.11823192

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Published

2022-12-31

How to Cite

Amaral Dias, C. (2022). Psicanálise e Música: Musicalidade da Psicanálise. Interações: Sociedade E As Novas Modernidades, (43), 9–12. https://doi.org/10.31211/interacoes.n43.2022.e1

Issue

No. 43

Section

Essays

License

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