Psicanálise e Música: Musicalidade da Psicanálise

Autores

  • Carlos Amaral Dias Instituto Superior Miguel Torga

DOI:

https://doi.org/10.31211/interacoes.n43.2022.e1

Palavras-chave:

Ensaio, Carlos Amaral Dias

Referências

Anzieu, D. (1979). The Sound Image of the Self. International Review of Psychoanalysis, 6, 23-36.

Butterfield, S. (1968, October). An extended version of modification of sucking with auditory feedback (Working Paper n.º 43). Bureau of Child Research Laboratory, Children’s Rehabilitation Unit, University of Kansas Medical Center.

Feder, S. (1981). Gustav Mahler: The music of fratricide. International Review of Psycho-Analysis, 8(3), 257–284.

Langer, S. K. (1953). Feeling and Form: A Theory of Art. Charles Scribner’s Sons.

Langer, S. K. (1967). Mind: An Essay on Human Feeling. The Johns Hopkins University Press.

Nass, M. L. (1971). Some considerations of a psychoanalytic interpretation of music. The Psychoanalytic Quarterly, 40(2), 303–316.

Niederland, W. G. (1958). Early auditory experiences, beating fantasies, and primal scene. The Psychoanalytic study of the child, 13, 471–504. https://doi.org/10.1080/00797308.1958.11823192

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Publicado

2022-12-31

Como Citar

Amaral Dias, C. (2022). Psicanálise e Música: Musicalidade da Psicanálise. Interações: Sociedade E As Novas Modernidades, (43), 9–12. https://doi.org/10.31211/interacoes.n43.2022.e1

Edição

Secção

Ensaios